《荷兰人》的故事设定在纽约的地铁上，主要围绕一位富裕的黑人男子和一位迷人的白人女子之间的相遇展开。两人在一场充满性暗示的猫鼠游戏中斗智斗勇，最终以暴力结局收场。

A sinister, neurotic white girl Lula, with the provocation of her lovely, half-naked body and of her startlingly lascivious speech, lures to his doom a good-looking young black man Clay, a stranger whom she has picked up in the subway and whom she mocks for wearing the clothes and employing the voice and manners of the conventional white intellectual. The man, who, at first seeing no reason to resist the girl's advances, perceives too late that he is being used by her, drops his "white" disguise, and launches a wild and bitter counterattack on her and on the entire white race. Written by alfiehitchie

海の波間を裸足で歩いていく動作を、数百枚からなる連続写真を使って制作された。あたかもトランプ・カードをテーブルの上に並べる要領で、これらのスチールを一定の法則に基づいて見せる様は、“動きのパズル”といえる。

海の波間を裸足で歩いていく動作を、数百枚からなる連続写真を使って制作された。あたかもトランプ・カードをテーブルの上に並べる要領で、これらのスチールを一定の法則に基づいて見せる様は、“動きのパズル”といえる。

The saga, which unfolds over several years, kicks off in Flanders in 1568. Peasants, rebelling against Spanish rule, are sacking churches. One such gang, carrying the huge head of a statue taken from a church, stumbles onto land owned by a farmer, Nettelneck, when it's attacked by Spaniards. Only one Dutchman escapes, and after he and Nettelneck's wife make love, the result is a son, who is raised on Nettelneck's farm (for some reason dominated by a huge cesspool) but who is always an outsider. Some years later, a wandering Italian minstrel, Campanelli, who witnessed the massacre and the coupling, returns to tell the boy his father is alive and sailing at sea on his ship (though he's actually long dead); he also reveals that his father is able to fly. Later still, the boy, now a man, leaves the farm with his sweetheart, Lotte, in search of his flying father. The film paints a dark and cruel picture of medieval times, alternating between grim and crass (and gross) realism and almost pythonesque farce. People are mostly ugly, stupid and mean, everything from the farm to a grounded ship or an asylum/prison is covered in mud and excrements. An uncompromising, ambitious and probably very personal film.

这又是一部针对当时国家政治局势赶拍上映的影片，利用松竹公司的资金优势，将学生反对日美安全保障条约的游行、示威及内部争论过程搬上银幕。大岛渚还是不能忘记自己学生时代的历史教训，并利用这种经验，着重寻找指出学生运动的意义和失败的原因。同时，形势的紧迫和影片的特殊性，使得大岛渚在影片中采用了不同寻常的拍摄手法。在1961年《电影旬报》的一篇名为《镜头是什么》的文章中，大岛渚说：“我的最新作品《日本的夜与雾》只有43个镜头。这就是原则上所说的一个场景一个镜头。”这种尊重现实时间空间的手法在当时的日本影坛还是极为少见的，但对于营造纪实效果、对学运进行全景而真实的观察，却是极有成效的。 　　 　　影片只上映了四天，就发生了右翼少年刺杀日本社会党委员长的政治事件。松竹公司迫于政治和经济（影片票房不如人意）压力，将影片停映。停映几个月以后，大岛渚与一批松竹同事集体退出公司，自组创造社。

这又是一部针对当时国家政治局势赶拍上映的影片，利用松竹公司的资金优势，将学生反对日美安全保障条约的游行、示威及内部争论过程搬上银幕。大岛渚还是不能忘记自己学生时代的历史教训，并利用这种经验，着重寻找指出学生运动的意义和失败的原因。同时，形势的紧迫和影片的特殊性，使得大岛渚在影片中采用了不同寻常的拍摄手法。在1961年《电影旬报》的一篇名为《镜头是什么》的文章中，大岛渚说：“我的最新作品《日本的夜与雾》只有43个镜头。这就是原则上所说的一个场景一个镜头。”这种尊重现实时间空间的手法在当时的日本影坛还是极为少见的，但对于营造纪实效果、对学运进行全景而真实的观察，却是极有成效的。

Based on the novel by Kazumi Takahashi. - Murase is a bodyguard in a yakuza group. Ochiai is a police officer who once was a student activist. When they meet, they are surprised how identical they look. They decide to trade places with each other. Murase investigates the case he was involved in. Ochiai feels rather comfortable in the world of yakuza. They begin to feel sympathy for each other...

降旗康男監督が政界を陰で操る黒幕=フィクサーを描いたドラマ。平山総裁と共に日本の黒幕と言われる山岡邦盟は、不正疑惑で地検の追及を受ける。それに乗じて関西の黒幕・小河内は権力をもぎ取ろうと画策し…。“<東映 ザ・定番>シリーズ”。